More than just acting as a hit factory, this era saw Rihanna embrace a new identity. All of these songs combined showcase a singer who is, to evoke Britney Spears, not a girl, not yet a woman. 'Question Existing,' a dirty bass slow burn, has Rihanna reading diary entries about the price of fame to her non-famous persona, Robyn Fenty. 'Say It,' 'Sell Me Candy,' and 'Lemme Get That' are fun, flirty mid-album anthems that evoke summer nights, young love, grinding on a new crush and double-dutching at the foot of your stoop. 'Breakin’ Dishes,' one of Rihanna’s all-time best creations, is a fiery break-up bop that has her dousing her cheating beau's clothes in bleach before setting them on fire and breaking out some marshmallows to roast, while threatening, 'I don't know who you think I am/ but I don’t really give a damn right now.' 'Push Up On Me' is a sexually suggestive come-hither tune that would've lit up any dance floor or 'Song of Summer' debate.

An eighth, 'If I Never See Your Face Again,' was a Maroon 5 record featuring Rihanna that was also featured on GGGB:R.Įven GGGB's deep cuts could have made for a just-as-successful slate of radio-ready singles. Between the original release and its 2008 re-release, Good Girl Gone Bad: Reloaded, Rihanna racked up seven chart successes: 'Umbrella' (No. A techno-funk vibe imbued the album and minted hits rather than chased what was on the radio. Whereas her first two albums each had one bona fide smash and enjoyed only a few months of relevance, GGGB unleashed an onslaught on the charts. If 'Umbrella' was a promise, then the remaining string of hits was the fulfillment.

1 single (2006’s 'SOS') and two McAlbums (2005’s Music of the Sun and 2006’s A Girl Like Me, released only ten months apart) in her rearview, the singer broke out of her previous, naïveté-laced persona and adopted a chicer, fashion-forward look and a new sound that largely reworked the Caribbean pop sounds of her early songs ('Pon de Replay,' 'Break It Off') and fused island jams with R&B beats. Its singles kept her afloat on pop radio for two years straight as cut after cut climbed the Billboard Hot 100. The album, its sound and its visuals all turned her into a full-fledged cultural phenomenon. They're four words that emphasize transition, transformation and agency. Its title alone underscored what Rihanna's new era meant. 'Umbrella' served as an appetizer for her third album, Good Girl Gone Bad, which turned 10 years old on Monday. The irresistible, syncopated beat was taken from GarageBand: Vintage Funk Kit 03. The song, a deceptively simple rumination on companionship, also teased new limits for sexual suggestion from the pop star - 'It’s pouring rain, come into me/ come into me,' she croons as the song closes.

Rihanna rehab haircut